Hazrat Maulana Muhammad Ali Makhadi (RA) was not only a scholar and a Sufi, but also a language adroit-poet of Persian and Punjabi. He used ‘Molvi’ as pseudonym. It’s regret His complete Persian and Punjabi poetry could not preserved. However, it is not difficult to determine His poetic status from the available words. Most of His poetry was included in his collection of Molana’s sayings “Tazkira-tul-Mahboob” by Molvi Abd-un-Nabi (resident of Bhoi gaar, Tehsil Hasan Abdal). This collection of ‘Sayings’ has not been officially printed yet, however, Hazrat Maolana Muhammad Deen Makhadi (RA) published its   translation as the name of “Tazkira-tul-Wali” he added many personal references with it. In particular, many stanzas of Punjabi three syllables (Punjabi seh’harfi) were preserved through this translation. The second edition of Tazkira-tul-Wali was published in 1996 under as name of Mehr-e-Taban. A Punjabi three syllable (Punjabi seh’harfi) by Maolana Muhammad Ali Makhadi, titled “Seh Harfi Molvi Sahab Makhad’wala” has also been published by Haji Chiragh-ud-deen Siraj-ud-deen Tajran Books Lahore.

Maulana Makhadi’s Persian poetry, although, available only in the form of nine ghazals. However, scholars and mystics have highly praised His poems. Regarding His poetry, Maolana Mohammad-ud-Deen Makhadi (RA) has described this in reference to Maolana Najam-ud-Deen in Tazkira-tul-Wali: ‘Molvi Najmuddin Sahib writes in Manaqib-ul-Mahboobeen that in the month of Shawwal 1253 AH / 1837 AD, on the day when the news of Hazrat Maolana Muhammad Ali Makhadi’s demise, Hazrat Pir Pathan Khawaja Shah Muhammad Suleman Taunsvi (RA) was sitting after Asr prayer in His tritest-mosque and the writer of the narration was also present there. Hazrat Sahab said that Molvi Sahab was known to Allah then Hazrat Sahab said that Molvi Sahab had said this stanza well in His ghazal:
(Parsian): ‘Hadith Hasan Yusuf ra Kaja Danandat Akhwanish
Zuleikha ra Pars az wey kae sud sharah-o-bayan warady’

The love and sincerity with which a higher-status spiritual mentor mentioned for his murid and caliph draws the people towards the new paths of love. Renowned researcher, scholar and expert teacher of Persian, Dr. Zahoor-ud-deen Ahmed, in his well-known book “Persian Literature in Pakistan” has written regarding Maulana Muhammad Ali (RA) Makhadi’s Persian Kalam:
‘Maolana Muhammad Ali Makhadi (RA) is devoted to the love of the Holy Prophet (SAWW) and the love of God, He seems desperate for the appearance of ‘beloved’. He wants the same thing cut off from the others; He does not care about outward piety. He don’t even like the mention of heaven and paradise.
Like Hafiz, Zandan Pakbaz and Peer Mughan must know the company for success in the path of love. They believe that in the path of love, reason finds its answer. Good for religion
To say Abad is an understatement.

The available Persian Kalam of Maulana Muhammad Ali Makhdi, though less in quantity, is unsurpassed in quality. The use of metaphors and similes in His poetry gives new life to love and harmony. Apart from Hamds and Naats, He has also shown his essence of in ghazal. Well-known poet and scholar Mr. Nazar Sabri described Hazrat Maolana Makhadi sb (RA)’s poetry in Persian:
‘The total of ‘Bayaat-e-Farsi’ which is available consists of nine written. Two are Hamds, two are Naats and five ghazals. The total number of stanzas is eighty five. Ten are of Hamds, twenty four of Naats and fifty one of ghazals.
Maulana Muhammad Ali Makhadi’s Persian poetry is seen with respect and dignity by the people of art and knowledge.
His Punjabi poetry is listened and read with interest. Maulana’s Punjabi poetry has a mystical tone. His Persian and Punjabi poetry are read and listened in gatherings in Chishtiya monasteries across Punjab.